The work takes different forms
Most events are forgotten by Monday. Most consultants deliver a deck and disappear. Most cultural programmes look the same as the one before.
I work with people who are done accepting that.
What I do takes different forms — curatorship, strategy, events, connecting, writing — but the common thread is always the same: I find what's missing and I make it possible. Sometimes that means a six-month strategy. Sometimes it means making one introduction that changes the direction of something. Sometimes it means both.
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If your next company event is going to be another drinks reception with a DJ and forgettable small talk — I'm not the right person. But if you want something people bring up six months later, something that actually changes how your team thinks or how your clients see you — that's exactly what I design.
From intimate curated dinners to large-scale cultural programmes. For companies, foundations, private collectors, and institutions who want the experience to match the ambition. -
I bring thinkers, scientists, artists, and practitioners into rooms where they don't usually go — and I make the conversation actually worth having. For companies investing in intellectual culture, team development, or client engagement. Not a speaker bureau. Something more considered than that.
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Working with artists, cultural organizations, and individuals navigating complex terrain — on visibility, positioning, operational structures, and the kind of systemic thinking that only comes from having mapped this ecosystem for fifteen years. This includes social media strategy, digital presence, and the conversations that don't fit any other category.
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Perhaps the least visible part of the practice, and not coincidentally the most consequential. Building the bridges between people, institutions, and worlds that wouldn't otherwise meet. This is not networking. It is something more deliberate than that.
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Exhibitions, art fairs, and institutional projects since 2010 — in Zürich and internationally. Including Manifesta, ZONA MACO, and a guest curatorship at Cabaret Voltaire during the Dada centenary. Alongside: contributions to publications and artist books, and applied research for secondary market acquisitions — sourcing, assessing, and advising on works for private collectors and institutions.
If any of this is relevant to what you're building