The practice takes different forms depending on what a project needs.

exhibitions, art fairs, and institutional projects since 2010, in Zürich and internationally. Including participation in Manifesta, ZONA MACO, and a guest curatorship at Cabaret Voltaire during the Dada centenary. Work with artists including Una Szeemann, Jana Vanecek, Augustin Rebetez, and Lori Hersberger among others.

designing and producing experiences that bring art, science, and culture into contact with new audiences. From intimate dinners to large-scale institutional events. The format matters less than the quality of what happens inside it.

working with artists, cultural organizations, and independent practitioners on visibility, positioning, and the operational structures that allow creative work to sustain itself. This includes social media strategy, digital presence, communications, and the kind of systemic thinking that comes from having mapped this ecosystem for a long time.

perhaps the least visible part of the practice, and not coincidentally the most consequential. Building the bridges between people, institutions, and worlds that wouldn't otherwise meet. This is not networking. It is something more deliberate than that.

contributions to publications, artist books, and biographies. An ongoing research practice rooted in the fine arts system as an organism — its structures, its failures, and its possibilities. This includes applied research for secondary market acquisitions: sourcing, assessing, and advising on works for private collectors and institutions.